White people, do not do this

This past weekend, that hateful “March for Life,” wherein right wing organizations and schools bus people in to DC to march for the “right” of men to control the lives of anyone born with an uterus, took place concurrently with the Indigenous Peoples March.

One of the schools that sent teens and chaperones to march this year was Covington Catholic High School, an all-male private school in Kentucky. There are long and terrible threads on twitter¹ with personal stories of survivors from both the school and the all-girls school across the street, which Covington assholes have nicknamed “whore school.” Charming boys, no?

At one point, a fairly large group of kids from Covington was facing off with four older members of another hate group, the Black Hebrew Israelites, and things were tense and likely heading to violence, when Omaha Elder Nathan Phillips, on his way to closing the Indigenous Peoples March at the Lincoln Memorial, intervened, placing himself between the two groups–and becoming the target of the white kids’ ire, once they were deprived of their original target.

There is video² and a plethora of articles about this harassment. There are interviews with witnesses AND with Nathan Phillips. Go google them.

There are also people defending the “boys” or rather, specifically, the white male teen wearing a MAGA hat, smirking with hateful disdain to the face of an elderly Native man.

Making lists, checking them twice.

This post has existed in draft form for…well, yikes, almost two full years. Something came to light yesterday, that made me come back to it. And you, lucky readers, get to read my thoughts.

As I’ve mentioned before here and elsewhere, I do have a list of authors who, in my opinion, behave badly.¹  And, since my time, emotional labor, energy, and money, are limited, I quite simply refuse to even try their work. It’s still, at least in this small area, a free country.

By the same token, I have a much, much, much longer list of incredible people who are authors who will always get my support.

Collective racial violence in the US

This is a collection of resources on the long and terrible history of racial violence against black people in the US. Originally a twitter thread, starting here, by Professor Walter D Greason. I have added a couple more links, for specific instances mentioned by other people, as I’ve remembered them.

There is a lot–A LOT–of deeply disturbing imagery in these links and videos. This is what white people have done, and continue to do, to black people in this country, without remorse–indeed, feeling morally justified and protected by law–for centuries.

(Note: I’m including some links at the end, regarding racial violence toward other groups)

I will continue to update this as I learn more.

Traditional publishing, and the risks thereof

Originally posted to the Literature forum at MyMedia.

I’ve written here, more than once, about genre romance being the single most successful genre in publishing. Not too long ago, genre romance accounted for about 40% of income for traditional publishers.¹

Since the late 70s/early 80s, romance sales have floated other fiction at pretty much all the big houses. To this day, many of the big advance names in so-called literary fiction never earned those advances back–while romance writers of the same caliber routinely do.

Those literary books may earn all the important prizes, and get lots of review space in the big papers, while romance is generally dismissed as pabulum and ‘mommy porn.’

But everyone in publishing knows that the money comes from genre fiction, and that genre romance brings in the lion’s share of the revenue.

Devastated.

Whatever social progress was made in the last six decades in the USoA?

Pretty much sure to be gone within six months. The Voting Rights Act was gutted, and the next President elect is a misogynist, a xenophobe, a racist, an ignoramus, a compulsive liar, who says things like “I will consult myself first, because I have a very good brain, and I have said things,” with a straight face. But hey, he’s a white cis philanderer who’s proud of how he can grab women’s genitals, because he’s a ‘celebrity.’

The fate of the planet in the face of a US President who believes climate change is a hoax?

Yeah, I should start making plans to move inland from Florida soon.

And I don’t even want to think about what is going to happen to the world’s economy with this…this waste of space plutocrat wannabe and his cadre of self serving ass-kissers in power in the USoA for dog knows how long.

It sure looks like all that ‘post-racial’ society crap was indeed a very thin veneer barely covering hatred.

May the universe have pity on us all.

More on race, reading, writing, and publishing.

Originally posted to the Literature section of MyMedia,
as part of the race in literature thread

Justine Labarlestier, a YA author, has a wonderful essay on Reading While White, about her own evolution, as a white author, on the matter of race. I do hope you follow the link and read the whole thing, but here are a couple of short-ish quotes, to give you an idea:

For years the response to my books—glowing reviews, award nominations, fan letters from People of Colour—supported my belief that I was doing good.

I had read critiques of the white saviour complex but was sure they didn’t apply to me. But one day in early 2009 a black woman blogger wrote a critique of my novel Liar.

Liar has a black teen protagonist. The blogger wrote that the book hurt her, that it was full of painful tropes, and that she would not read anything else I wrote unless it was not about People of Colour because I could not be trusted with the stories of anyone who isn’t white. Further, that she wasn’t going to read any more books with PoC protags by white people because we always get it wrong.

I felt like I’d been punched.

It was the most painful criticism any of my books had ever received and I’ve had reviews call for my books to be burnt and me to be slapped.

I sent the critique to several friends so they could reassure me she was wrong.

Yes, in the face of someone literally stating she had been hurt by the racist tropes in my book, all I wanted was reassurance. I thought my hurt feelings were more important than her actual pain.

Hey, hey! I got whitemansplained!

(Part of this post originally appeared in the Literature section at MyMedia,
as part of the race in literature thread.
I’ve added further commentary below the cut)

An excellent, if long, follow up, to the Fireside report on SSF and black authors, with some pointed answers to oft asked questions, written by a Black, published author of SSF short stories:

Hi. I’m a small time SFF writer. I’m black. I also submit short stories to paying SFF markets. Most times I’m not successful in selling my stories. A few wonderful times, I am. Do I see lots of stories published in top SFF markets with faces like mine? No. And believe me, I search for them. It’s not the most scientific process: Are the characters black? Do I detect an inference to anything black-ish? Hmm… that author’s name sounds black, lemee google em up right quick. Again, not exactly a science. But it’s what I got. Are the gatekeepers at these SFF markets black? Rarely. At least rare enough that when one or two are, they show up in black SFF spaces to announce with hopeful desperation: “I’m working at so-and-so. Please, please, please submit your stories because the slush is whiter than a Gods of Egypt, Noah, Exodus triple-feature!”
…
Because if black SFF writers are being underrepresented in short story markets, then SFF as a whole is going to be less representative. Think I’m exagerrating? Okay. Here’s a neat trick: name five black SFF writers off the top of your head that you’ve read or even heard about–whose last names aren’t Butler, Delany, Okorafor or Jemisin. If you struggling, best keep reading.
…
When black writers are excluded from these markets not only do we lose out on connections and networking, but simple cold hard cash. That’s money that might fund a trip to a con, or to attend a writer’s workshop, or a better laptop/software, or the space and time to write, or rent, or a basic incentive to publish–cuz altruism is noble, but it don’t pay none. Given the long history of wealth exclusion for black people in America, there’s a discomfiting knowledge that under representation in some of these paying SFF markets creates a type of financial inequity that is essentially shuttering black creativity.
…
(7) Maybe “race” isn’t the only reason your story is rejected. I actually saw someone write this. With words. Thanks for splainin’ how submitting and rejection works Sherlock. No one is saying that race is the sole reason black writers are not being published in mainstream SFF. This seems, in fact, to be a sly way of making the “quality” argument: the universal lament of concern trolls to just about every appeal for diversity, in everything. When I get rejected, and it happens lots, I understand all sorts of factors go into that. Maybe the story doesn’t fit their needs. Maybe it’s not that good. Maybe they’re pretty stocked up on steampunk pirate stories. Issues of race and diversity are just one added factor. I don’t just automatically say “Bet I was rejected because I’m black!” That’s just what you see in wack 1980s and 1990s sitcoms and movies. In real life, black folks go through entire mental quantum field models of self-doubt before even raising the “R” word–if only because we expect to be finger-wagged by a society that almost never ever believes us. When you hear a black person “cry” racism, trust that we done already quadruple-checked our math. But I also understand that “quality” is as arbitrary as anything else.
…
[b] The burden of change here is on SFF markets not on black writers. I repeat, the burden of change is on SFF markets not black writers. Don’t tell black people to open up their own SFF markets. Don’t say, “well you guys gotta submit more.” If SFF markets want diverse stories, they’re going to have to do more than simply state it and then wait patiently for it to happen. Words and intentions are nice. But without concerted action there’s not going to be much change. SFF markets are going to have to take part in engaged activism to bring in black writers, to increase the submissions of black writers and to publish more black writers. It ain’t gonna happen by osmosis.

Seriously, go read the whole thing–if I could, I would quote the entire thing here, because it addresses all the many explanations and justifications given to exclude Black authors, and pretty much all minorities, from mainstream genres across the board–the same argument can easily be made when talking about romance, mystery, historical fiction…You name it, think about it, and you’ll see just how true this holds for literature in a country that is not homogeneous in its makeup.