Tag Archives: Suzanne Brockmann

“Ready to Roll” by Suzanne Brockmann

19 Apr

I first got this novella sometime in early 2017, but I was lucky enough to attend RWA National Conference in Orlando that year in July, and I snagged a signed copy at the literacy signing.

Then it languished in the TBR room¹ until January this year, when I read it for SLWendy’s TBR Challenge.

Sadly, what with one thing and another, the review was not written on time :head hanging in shame:

Ah well, in the ‘better late than never’ category, here you have it.

Warning: one of the characters lives in an abusive situation, another (minor) character is the victim of spousal abuse; there’s homophobia and general bigotry. Oh, and some cursing.

“Ready to Roll” by Suzanne Brockmann

This novella is the third in a trilogy of short-ish stories set in the Troubleshooters’ world, centered on SEAL Izzy Zanella. The three stories take place within a year of the events in Breaking the Rules, which was the last novel in the series for half a dozen years,² until Some Kind of Hero came out.

Here’s the blurb from my print copy (yes, the repetitions too):
Continue reading

Why is the romance genre inherently feminist?

2 Feb

(Originally posted to the Community section of MyMedia forum)

Because is written mostly* by women for (mostly*) other women, centering mostly* women’s needs, and pleasure, and joy.

And that, sadly (because women are just over half the human population of the planet, and still the immense majority of stories center on the male experience), it’s inherently feminist.

“Romance reminds us that women want, and it celebrates this fact. How sad that that’s subversive, but it is. Also subversive: the idea of women reading books that are escapist delights instead of “bettering” themselves via the male-adjudicated canon or, honestly, doing housework or tending to their kids. Romance novels are political because of, not despite, the fact that they are usually really fucking fun.”

(source: Who Gets a Happily Ever After)

* mostly and not all, because, you know who has embraced genre romance and the opportunity for positive representation it offers? Minorities, particularly those in the LGBTQIA+ spectrum. Because the idea of joy and love that triumph over the miseries of life is necessary for those to whom the world is already unwelcoming, simply by virtue of being

~ * ~

Please note that the piece linked, at the time I post this, states that Jules Cassidy, from Suzanne Brockmann’s Troubleshooters series, is a SEAL. He’s not; he was written, from his first appearance on, as an out and proud FBI agent. I’ve contacted the author of the piece, and I hope there will be an edit on this at some point. But if not, now you know.

Some Kind of Hero, by Suzanne Brockmann

23 Jul

I have said before that it’s generally hard for me to give up on authors I’ve stopped loving–though I hope I’ve finally learned my lesson there.

On the other hand, there are some authors I still very much like, but whose writing may have shifted in directions that, quite simply, don’t interest me. This was the case a few years ago with Ms Brockmann’s (then) upcoming series: I felt completely meh about the whole “not too distant future” thing.

Then, a couple of years ago. she wrote the first of what is supposed to be a spinoff series from the Troubleshooters and I was somewhat interested.¹

And then…then, this book was announced, and here we are.

Reader beware: adult language, some violence, graphic sex. If any of these bothers you, skip the book. Hell, skip the whole series.

Some Kind of Hero, by Suzanne Brockmann

While this is the 17th full length novel in the very successful Troubleshooters series, it absolutely stands on its own, giving a new reader a good taste of what Ms Brockmann’s writing voice is like: fast paced, with well drawn, three-dimensional characters, and set in the real world, very much right here, right now.

Neither of the main characters have appeared in any of the previous books in the series. And while a couple of the secondary characters have, the story is structured so that there’s no need for extensive backstory of previous events, and what little there is, is integrated organically into the narrative.

Here’s the blurb:
Continue reading

Parting of the ways

9 May

A few weeks ago, Maya Banks posted about what happens when authors’ and readers’ points of view diverge—also known as, when readers break up with authors.

This is by no means a novel topic. Readers have complained about authors changing the rules of the worlds they build *coughJRWardcough* or how every successive book is the same story and the same characters as the previous dozen *coughChristine Feehancough* or feeling betrayed when the author kills a main character, well into the series *coughKarinSlaughtercough* Continue reading